It is undeniable that we live in uncertain and troubled times, a period of which this pandemic we’re struggling through is but the latest and perhaps most evident aspect. Life is increasingly complicated and burdens seem to get harder and harder to carry with each passing year, so the need to seek solace and to take refuge in things that you know you can count on becomes more and more urgent. Well, dear friend, put down those burdens for a little while, because Monolord have got your back. Ever since 2013, when the dormant power of the Monolord became too much for a simple boogie rock band called Marulk – featuring a certain Thomas V Jäger and Esben Willems respectively on guitars/vocals and drums already – to contain, that this Swedish trio’s almost endearingly relentless dedication to The Riff has been something you can count on, almost as sure as the sun that rises every morning above your head. Thomas and Esben joined bassist Mika Häkki, and ever since then they have been compelled by the power of the riff, with no time for any frills like line-up changes or inane experimentations just for the sake of it. Theirs is a higher calling, a purer statement of intentions. After all, their bandname is “a paraphrase of an unspeakable name of an unspeakable entity that not even we dare to mention,” as Esben explains. And if you don’t like that description, Thomas has another suggestion: “make one up, and it is true!"

In 1958, a young trans woman named Agnes entered a study about sex disorders at UCLA to get the gender-affirming care she needed, by any means necessary. Her story was long considered to be exceptional until never-before-seen case files of other patients were found in 2017. Directed by Chase Joynt (NO ORDINARY MAN) and featuring an all-star cast of transgender artists and performers, FRAMING AGNES uses re-enactment and genre-blurring storytelling techniques to breathe new life into previously unknown people who redefined gender in the midcentury.

Sierra Leone is the second poorest country in the world. After overcoming one of the toughest and bloodiest civil wars, in 2014 they had to face one of the most devastating epidemics in living memory, Ebola. The consequences of those horrors ended up extinguishing the spark of development and plunging the population into total darkness in which they have been living since 1992. The lack of stable light supply is a major constraint for the development of medical work, directly affecting the life expectancy of Sierra Leone people.