"Olive Vox is the creation of singer-songwriter Parker James and his brother guitarist-songwriter Caden Shea. Originally from Orange County, CA, Parker & Caden moved to Texas as pre-adolescent kids searching to fit into a new landlocked environment. A skateboard accident sidelined Parker with a broken arm requiring metal plates and screws. Parker took advantage of his down time away from skating and football to concentrate on music, gaming and social media. Parker would spend the next couple years honing his music, especially lyric writing. Eventually he’d form a one man project called LOVELORN and release music on Soundcloud. Lovelorn gave him the chance to put the lyrics to music and to expand his melodic range. At the same time Parker was finding an audience online, quickly becoming a breakout creator on TikTok with his lifestyle and comedy videos, as the app launched. Parker patiently waited for Caden Shea, his younger brother, to discover his love for guitar so they could do music together. Spending hours perfecting his craft, Caden listened to the music that inspired him most, from indie fuzz rock to the discovery of classic grunge. As early as age 11 Caden was writing dozens of songs, recording them into his iphone in hopes that one day his dream of a real band would materialize. In 2020 Parker banded together with Caden who had, by now, become both a formidable guitar player and songwriter. Olive Vox was born. During the COVID induced lockdown Parker and Caden developed their sound influenced by psychedelic indie rock pioneer Ty Segall, garage rock, 90s grunge mainstays Nirvana, Smashing Pumpkins and 2000s Jack White, Cage the Elephant and more. Their Gen Z perspective makes the music they play resonate to an audience searching for a new, yet familiar, sound to embrace. Olive Vox debuted LIVE at Levitation Festival in Austin, Texas in late October 2021. The band’s self-titled debut album is set for release February 25th."

In 1974 the Dolores Cyclone flooded the town of Charco Redondo and its inhabitants were forced to go into exile and found a new community. Four decades later, the Salinas Tello, an afromestizo family, lets us enter their privacy, while preparing the town's patronal celebration. Through them, we learn about their daily lives. THEY MADE US THE NIGHT draws a sketch about their identity, marked by tonales, devils and cyclones.

"""Dark Thoughts, one of the few pop-punk bands it’s OK for hardcore folks to like."" Dark Thoughts: Must Be Nice 12” (Stupid Bag) Dark Thoughts’ 3rd LP is out, and I think it’s their best one yet. If you heard the first two, this one is a little different, with less of a stylized, Ramones-influenced sound. There are very few bells and whistles (except for the literal bells on the climactic closing track), and an apparently simple formula: take some smart and heartfelt lyrics, find a 3 or 4-chord progression that goes along with their tone, and bash it out as power chords with Ramones-style drums playing at an appropriate tempo (mid-paced to super fast, depending on the tone). For most bands, that would be a fast track to a bunch of generic and boring songs, but for Dark Thoughts the minimal ornamentation highlights how great these songs are. The lyrics give me all the feels (as the kids were saying in the not-too-distant past), and every track has the fist-pumping, energetic and anthemic sound that makes Dark Thoughts one of the few pop-punk bands it’s OK for hardcore folks to like. The overall tone and vibe is similar to what I consider the peak period of Screeching Weasel, i.e. their run of LPs from My Brain Hurts through How to Make Enemies and Irritate People, but if you whittled those records down to the faster, darker tracks like “Hanging Around,” “The Science of Myth,” “Every Night,” etc. Like most of the individual tracks, the LP is short, but it's such a thrilling listen that I often play it a few times in a row, something I rarely do with other records. I’ve been playing Must Be Nice since the digital version first went online back in December, and it shows no signs of leaving the “current listening” pile any time soon. - Daniel Lupton, Sorry State Records"

"Gothenburg, Sweden trio Firebreather’s 2019 RidingEasy Records debut album Under a Blood Moon was a powerhouse that most certainly established the band’s incendiary potential. But none of us would be prepared for the suffocating onslaught that is Dwell in the Fog. While that album was in-your-face and raw, Dwell in the Fog rumbles and rages with a fury the band had only hinted at previously. Firebreather has a streamlined focus on driving, symphonic riffs in the vein of High on Fire, Inter Arma and their tour- and label-mates Monolord. The guitar and bass tones are, quite simply, entrancing. Paired with vocalist/guitarist Mattias Nööjd’s guttural yet melodic howls and drummer Axel Wittbeck’s groove based rhythms, their entire sound flows like thick, viscous lava. “The album is a cathartic journey inwards and a musical continuation from Under A Blood Moon, but with more emphasis on groove and feel,” Nööjd says. From the first notes of album opener “Kiss Of Your Blade” you’ll know exactly what he means. Like their preceding two albums, Dwell in the Fog was also recorded and mixed by engineer Oskar Karlsson at Elementstudion in Gothenburg. The band is joined by new bassist Nicklas Hellqvist on this album, who seems to have increased the thunder rumble tenfold. From the aforementioned album opener “Kiss Of Your Blade”, with its droning opening chords over a rollicking tom pattern, the band quickly shifts gears into a head bobbing, serpentine riff with a transcendent melodic hook. Elsewhere, as on the title track and “Weather The Storm” rapid-fire hummable riffs come and go in an ever-shifting mass of devastating swirling churn. It’s like the band has such an endless supply of great hooks that to, ahem, dwell for too long on any one would undo their constantly building momentum. That they somehow give each song, and the album as a whole, a streamlined and cohesive, monolithic groove is testament to their skill. And, proof that the album must be absorbed in its entirety to experience the overwhelming swaying and lunging low end growl that drives the band’s most captivating work to date. Dwell in the Fog will be available on LP, CD and download on February 25th, 2022 via RidingEasy Records."

Film distribution in the 21st century is constantly changing. Join a panel of film distribution company representatives for a discussion on the evolving media landscape. Topics will include: video on demand, streaming services, self-distribution, and how to develop a multi-pronged distribution strategy. This panel is moderated by Joe Brown, filmmaker and professor of film at the University of Denver. The panel includes Marc Mauceri from First Run Features, Jeffrey Winter from The Film Collaborative, and Kym Stanton from Films for Change.