Being Dead is made up of a couple o’ freaks in the heart of Texas. Multi-instrumentalists Juli Keller and Cody Dosier started playing music together in 2016, but Being Dead didn’t take its true form until the following year, when they decided to stake out a 2-person operation. Keller and Dosier share instrument duties, swapping between vox, keys, guitar, and percussion, the end result a lo-fi creep-rock experimentation at the intersection of brash and melodic. Sharing a passion for blood and darkness explored through a playful sound, the duo offers a fresh look at hell.

A look inside the raw world of New England east-coast surfing through the eyes of three men who have dedicated their lives to the ocean.

THE CANNONS is a documentary feature film following the lives of two Black teenage hockey players and one legendary coach, in one of America’s toughest neighbourhoods: Southeast, Washington DC. Part coming of age story, part social-political commentary on the Black American experience, the film chronicles the Fort Dupont Cannons, one of America's only predominately Black hockey teams, as they must overcome the challenges of life on and off the ice.

Vince Anderson dropped out of seminary to follow his second calling - music. With his band The Love Choir, he has played a now-legendary weekly show for over twenty years. Reconnecting with his faith and using his soulful music, he preaches a type of spirituality that meets people where they are, is open to all, and moves everyone that sees him play. Vince is also involved in social activism, working with other faith leaders around the country to build inclusive communities. THE REVEREND is a rocking concert film and an intimate portrait of Reverend Vince’s inspiring personal and spiritual life.

MONUMENTAL DIVIDE is about a small rural town divided over politics, and follows a young couple as they come to terms with the social forces that drove them out. Stephanie, an outdoor enthusiast, moved into town two years ago with her boyfriend seeking recreation and a place to call home. Taking a job at the local non-profit, she inadvertently took sides in a bitter 20-year-old battle over land management. Now, four months pregnant, Stephanie navigates a town stuck in perpetual breakdown and questions whether she’s found the ideal community for her new family.