A glimpse into the lives of an eccentric New York family, CHARM CIRCLE follows filmmaker Nira Burstein as she attempts to bridge the fractured relationships between herself and her family. Emotional and accomplished, especially in the way it weaves together decades-old home videos and contemporary footage, the film crafts a powerful family portrait that questions the value of the bonds that tie us together. Burstein’s brave, wryly amusing first feature is as loving as it is unpredictable. With moments of humor, music and creativity, Charm Circle finds compassion in places most challenging.

MARIPOSAS DEL CAMPO shares the stories of indigenous Mixtec, Zapotec, and Purépecha teenagers from Mexico striving to change their families’ destinies in the strawberry fields of Oxnard, California. Through a stormy year of sanctioned racism and anti-immigrant policies, the documentary captures their journeys—with help from the characters’ own intimate videos—as they navigate cultural identity, parental expectations, economic challenges, and the justice needs of their migrant farmworker community. For young people whose lives have always been steeped in uncertainty, it takes a leap of faith to chase a dream.

"“Nobody has riffs anymore,” says founding member/vocalist/guitarist Jacob Duarte when asked about his approach on 12th House Rock, Narrow Head’s highly anticipated LP for Run for Cover due on August 28. “That’s the kind of band we are and to me, that’s just how you write songs. Drums, bass, guitar, vocals. Nothing else. There are no other instruments on the record.” The Houston-based band’s latest entry is the distillation of the greatest moments in 90’s alternative and hard rock with a fresh set of ears, thirteen tracks of their signature brand of bludgeoning lullabies bursting at the seams with creative ideas, new directions and yes, massive, monolithic riffs. In between the sparkle and smash, open-hearted and emotionally naked songwriting showcases a core piece of the band’s identity– showcasing 12th House Rock as one of the best releases of 2020. “It’s the definitive work of Narrow Head,” proudly explains bassist Ryan Chavez. “Recorded in a studio over a month’s span, the way they used to do it. Not just for the sake of making it that way, but because it was the right way for us.” Delving into deep-seated themes of self loathing, desolation, self-medication, the loss of loved ones and hopeful redemption,12th House Rock is, as the title suggests, a rock-focused LP themed on transition– exploring the vast abyss of darkness just before the sun cracks upon the horizon. “A lot of the record was made in the late hours and early morning,” recalls Duarte. ”Those quiet moments alone when utter silence and my self-medication made it impossible to escape from my own thoughts. It was also from a specific time when I didn’t take care of myself and made bad decisions in all aspects of my life. These songs were a way out, temporarily anyway.”"

It is undeniable that we live in uncertain and troubled times, a period of which this pandemic we’re struggling through is but the latest and perhaps most evident aspect. Life is increasingly complicated and burdens seem to get harder and harder to carry with each passing year, so the need to seek solace and to take refuge in things that you know you can count on becomes more and more urgent. Well, dear friend, put down those burdens for a little while, because Monolord have got your back. Ever since 2013, when the dormant power of the Monolord became too much for a simple boogie rock band called Marulk – featuring a certain Thomas V Jäger and Esben Willems respectively on guitars/vocals and drums already – to contain, that this Swedish trio’s almost endearingly relentless dedication to The Riff has been something you can count on, almost as sure as the sun that rises every morning above your head. Thomas and Esben joined bassist Mika Häkki, and ever since then they have been compelled by the power of the riff, with no time for any frills like line-up changes or inane experimentations just for the sake of it. Theirs is a higher calling, a purer statement of intentions. After all, their bandname is “a paraphrase of an unspeakable name of an unspeakable entity that not even we dare to mention,” as Esben explains. And if you don’t like that description, Thomas has another suggestion: “make one up, and it is true!"